Thursday 26 August 2010

Mad Men Series 4 - Exhibit E – The Chrysanthemum and the Sword

Scene of crime: AMC (US)

Defendant: Writer Erin Levy

Case for the defence:

First the Brits now members of another former empire make their appearance in Mad Men, clichés and all – the Japanese. Honda executives are considering switching agencies and Sterling Cooper Draper Pryce are, along with two other medium-sized firms, invited to compete via a presentation with strict rules.

Self-proclaimed rival Ted Chaough wants to beat Don, even if he is infuriated by the worship of Don, but his obsession leads to the (probable) bankrupting of his agency as Don resurrects a trick from the very first season of Mad Men. Back then it was what was to make Lucky Strike different when manufacturers were all in the same boat, now it was how to think differently when the other agencies had the same financial limitations.

Back to Don's personal life and we see more of him looking after the kids – in practice leaving them with a babysitter to go on a date, with the definite notion he could have gone at any time. Daughter Sally starts to rebel by cutting her hair and masturbating at a sleepover, leading to Betty slapping her in front of Don.

However, there were more than a few touches of humour to compensate, with Don's secretary Miss Blankenship fighting Pete for a present, the subtitles for what the translator told the Japanese and Peggy riding a motorbike around in circles in an empty film studio.


Witness statements:

"In general, much of the first half of Sword pushed a little too hard at the thin line that separates Mad Men from cliched tales of the '60s. The series has mostly avoided cliche in the past because it was set in a period of the '60s that was relatively unexploited...The best thing about Mad Men's second and third seasons were their restraint, their ability to back away from the sorts of 'Hey, remember when kids used to play with plastic bags?' moments that occasionally hurt season one episodes. Season four, though it's fun and feisty, suffers from a bad case of the subtext on sleeve from time to time." - Todd VanDerWerff, the AV Club

"What is the right behaviour? How does it define us? That seemed to be at the crux of another superb episode of Mad Men, which has so far defied those who might be looking for a crack in the veneer of its greatness now that Season 4 is upon us. No such luck just yet." - The Spoiled Bastard, the San Francisco Chronicle

Findings:

What to make of this episode, the first to make me rub my chin in judgment. Don Draper has finally returned to his old, creative ways while we saw more of Henry Francis and his relationship with Betty and Don. Pete Campbell was both a brat and a wise old man, something the best episodes show him as, while Joan is once more a figure of competence.

However, Mad Men tried to get funny with a Judge. And Judges don't do humour, not at Sterling Cooper Draper Pryce. We're taught at the Academy of Justice that a good character is somewhere between real life and a cartoon, and Miss Blankenship belongs in Toon Town. In moderation I can handle her, but if I see her acting like she did again I'll throw her in the cubes for her own good. Mad Men can do humour well – as when the translator said, regarding the Japanese business men leering at Joan's breasts, that "they're not subtle" – but Don's secretary and Roger's attempts at racist humour was too much. That's on the charge sheet.

In mitigation, Pete Campbell did show both sides that make you both like him and want to strike him with a riot stick. Betty Draper, who has been stuck in the same key, added a note or two, and Sally showed signs of development. I've seen muties eat a man whole, but I still felt uncomfortable at her masturbation scene. But it was also relevant to the plot and to revelation as Don was the only person Betty could speak frankly to.

I enjoyed this episode, but that's not how Judges make their calls. Introducing a nemesis for Don and disposing of him in one episode is not typical of Mad Men, although they did make it believable as to why they never mentioned Ted before. Similarly Roger's anti-Japanese feelings have never been hinted at for all of Bert Cooper's Nipponophilia. I think this sums up the episode – not typical Mad Men, but it just about pulls it off.

Verdict & sentence:

I'm still rubbing my chin on this one. I think I need to make an example of Erin. Erin Levy, I sentence you to community service cleaning the windows inside and out on the 250th floor of the housing blocks. You have leave to appeal. Take this flak jacket, some of those birds have taken a liking to human flesh, but it should protect most of your most vulnerable parts. Hearing adjourned.

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